Becoming aware of common tones reduces the frequency with which a pianist must look at their hands. The common tones function like tactile anchors for your fingers. You can more easily navigate the notes that move from chord to chord without looking by keeping your fingers in contact with the notes that do not move. Try playing the progression above again using the fingerings indicated in the left hand. Can you switch between Cm7 and F7 without looking at your hand? Setting this groove on autopilot in your left hand will free you up to improvise bluesy piano licks in your right hand.
Piano blues
Next, we want to prepare you to improvise with the Beginner Blues Scale. The most common note value used in blues piano improv is 8th notes. Since your left hand is playing quarter notes, that means you will need to play 2 notes in the right hand for every 1 chord played in the left hand. Try playing the 8th note exercise below.
Our next exercise focus specifically on mastering triplets, which is the 2nd most common duration in blues soloing. Triplets are great for adding energy, excitement and variety to your lines. In this exercise below, you will play 3 notes in the right hand for every 1 chord in the left hand.
If you are enjoying this lesson, you will certainly love our 10 Day Blues Challenge. In this absolutely free program you will receive 5 free videos via email in which you will learn even more hallmark blues piano techniques including how to improvise in lower position and upper position, a left hand blues shuffle, the 12-bar blues form and more.
As you can see, there is a lot you can do with just 2 chords and 4 notes that sounds very good! With just a little trial and error, you can be improvising beginner blues piano in no time. Afterward, you can choose one of our Learning Tracks according to your current playing level and musical interests to build up your foundation.
Piano Blues is a 2003 documentary film directed by Clint Eastwood as the seventh installment of the documentary film series The Blues produced by Martin Scorsese. The film features interviews and live performances of piano players Ray Charles, Dave Brubeck, Dr. John and Marcia Ball.
In the documentary Eastwood explores his lifelong passion for piano blues and jazz. He interviews artists as Ray Charles, Dr. John, Marcia Ball, Pinetop Perkins, Dave Brubeck, Jay McShann, Henry Gray and shows archival performances of Dorothy Donegan, Fats Domino, Otis Spann, Art Tatum, Albert Simmons, Pete Johnson, Jay McShann, Big Joe Turner, Nat King Cole, Martha Davis, Professor Longhair, Charles Brown and Duke Ellington. Remarkable are two early performances of the Chess Records houseband with Otis Spann (piano), Willie Dixon (bass) and, probably, Fred Below (drums).
Eastwood shows his interest in jazz music with an interview and performance of improvising musician Pete Jolly, who introduces Phineas Newborn. Also Oscar Peterson and Thelonious Monk are present in the film with several performances. Eastwood explains his love for piano playing because of how his mother brought many Fats Waller records home saying; "This is real piano playing!".
The piano was at the height of its popularity at the turn of the century, thanks in part to the ragtime craze, and the piano was bound to find its way into the blues. The earliest known piano blues was barrelhouse, sounding a bit like ragtime but staying within the 12-bar blues style. Barrelhouse was played in the juke joints, where there was always a beat-up piano that needed to be played. The general state of disrepair of these pianos contributed to the sound of barrelhouse and made it easier to hit those in-between notes characteristic of the blues. The roving musician who played this style hammered out the tunes for the drinkers and dancers and tried to be as loud and raucous as possible. One such musician was Cow Cow Davenport: Cow Cow Blues
Summary: Beginners who took piano lessons for one hour a week over the course of 11 weeks showed improvements in audio and visual processing. Additionally, musical training helped to boost mood and reduce symptoms of stress and anxiety.
Publishing their findings in the academic journal Nature Scientific Reports, the team behind the study shows how beginners who undertook piano lessons for just one hour a week over 11 weeks reported significant improvements in recognising audio-visual changes in the environment and reported less depression, stress and anxiety.
Learning to play an instrument like the piano is a complex task: it requires a musician to read a score, generate movements and monitor the auditory and tactile feedback to adjust their further actions. In scientific terms, the process couples visual with auditory cues and results in a multisensory training for individuals.
Bloomington Boogies presents the best blues, boogie woogie, Gospel, and stride pianists in the world, outstanding Zydeco accordionists, world-class percussionists, and professional dancers. Artists have included Bob Seeley, Henry Butler, Marcia Ball, Carl Sonny Leyland, C. J. Chenier, Rob Rio, Judy Carmichael, Kenny "Blues Boss" Wayne, Daryl Davis, Stephanie Trick & Paolo Alderighi, Jean-Pierre Bertrand, Eden Brent, Bill Sims, Jr., Mark Braun (Mr. B), Josh Paxton, Cynthia Girtley, Scott Patterson, Ricky Nye, "Sunpie" Barnes, Ben Toury, Liz Pennock & Dr. Blues, Henri Herbert, Keith McCutchen, Katharina Alber, Michael Drexler, Cassidy Gephart, Josh Christina, David Barry, Mike Lucas, Craig Brenner, Ross Martinie Eiler, Jeremy Stevenson, Michelle Brentano, and Noah Selo. Our rhythm section has included Uganda Roberts/congas, Gordon Bonham/guitar, Joe Donnelly/sax, Ron Kadish/bass, Dan Hostetler/drums, and Lori Brenner/percussion.
A common way to play the blues scale is to also swing the rhythm. So rather than playing each note equally like you would the normal similar motion C scale, you can hold the first note slightly longer, and then skip the next.
There are lots of different ways to explain why these notes work and create the blues style sound, but rather than going into too much detail and getting all theory based I will give you my take on this.
One of the main reasons why people decide not to try and learn playing the piano/keyboard and more specifically blues and boogie woogie, is that they are afraid they will be unable to learn how to play both hands together at the same time. I can assure you that my course will help anyone of any level learn to do that! My early video tutorials delve straight into playing both hands together and ensure that anyone learning to play for the very first time can do it!
Copyright 2023 Learn Piano Blues piano lessons - learn how to play piano with piano tutorials from an experienced piano teacher. Teach yourself piano with online lessons and quality piano tuition.
"The 2020 Blues Music Awards made this excellent singer, pianist, and composer known, and this album enshrines him and definitely catapults him to the forefront of today's blues pianists"- La Hora del Blues (Spain)"Ben Levin has already gone a long way toward affirming his reputation as an astute artist, one well capable of ascent to the heights of wider recognition"-Living Blues (USA)
Piano blues is a type of Blues music where the piano is the main musical instrument used. Boogie woogie is the best known kind of piano blues, though barrelhouse, swing, R&B, rock and roll and jazz are also important.
In these lessons you will learn a lot of great blues piano chords, riffs, and scales. There is a basic formula that is followed for most blues tunes called the "12 Bar Blues," and once you master it, a whole new world of musical stylings will be at your fingertips. The chord progression is very simple, but you can do so many amazing things with it. You will learn how to see and feel the patterns of the blues scale on piano in a way that makes it fun to create your own unique solos. When you understand some chords and a little music theory you will start to play sweet blues riffs that will surely turn some heads.
This is the most common chord progression used to play the blues. You can learn how to play the blues on the piano by working on these three chords and your "stank face" (the ugly face players make when truly playing the blues).
Get this trick down for immediate results. The blues pattern is used more than any other movement on the piano. Don't let big words frighten you, but we are going to use something called the Mixolydian scale, which moves the middle and pinky fingers of the right hand while the thumb stays put.
Everything above has been about individual techniques that are used in different parts of a blues solo. Now we are going to take all of those and put them together to create a sweet sounding jam! Throughout these lessons you'll be able to see how you can form a great sounding blues solo. 2ff7e9595c
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